'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

80's pop icon Gilles Gabriel is about to make a comeback in the French music scene, until he accidentally hits Ranu, a slightly nutty accountant, when out driving one day. Both are horrified to realise that Gilles died in the crash, and that his spirit now lives in Ranu's head! The kooky accountant's life soon becomes chaos!
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
The final installment in the rebooted X-Men franchise.
Though 'Bound' technically falls under the genres of crime and thriller, the film's heart is a romance between two women.