Me enveneno de azules 

"Beef" is a new dark comedy with a near entire Asian-American cast

From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.

Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.

Kat Wahlen’s The Whiteboard tells, or rather shows, a delightful love story between two young women who meet in detention.

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Kung Fu Chit was a beautifully made, empowering short film that really spoke to me. Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.