A television recording of the stage adaptation of Terry Pratchett's novel, produced by Divadlo v Dlouhé. Granny Weatherwax and Nanny Ogg, the greatest witches on Discworld, set out to enjoy an evening at the Ankh-Morpork Opera, where their fellow Lancre native and potential third witch, Agnes Nulli, sings in the chorus. But strange things are happening at the Ankh-Morpork Opera House, and not just in the accounting department. Opera employees are falling dead from the fly loft, box number 8 cannot be sold because it has been reserved by a mysterious figure wearing a white mask, and the newly appointed director is receiving strange letters from a certain Ghost of the Opera.
Hana Burešová
Director
Naděžda Prchalová-Vicenová
Bábi Zlopočasná, čarodějka
Jaroslava Pokorná
Stařenka Oggová, čarodějka
Helena Dvořáková
Anežka Nulíčková, čarodějka
Miroslav Táborský
Štandlík, ředitel Opery
Jan Vondráček
Sardelli, umělecký šéf
Tomáš Turek
Valtr Plíža, muž mnoha řemesel
Magdalena Zimová
Kristýna
Hana Frejková
paní Plížová
Vlastimil Zavřel
Enrico Basilica, Kozlovrch i další postavy
Miroslav Hanuš
Musikfuteral i další postavy
Pavel Tesař
André, Krysí smrť i další postavy
Armed with a $400M budget and Tom Cruise’s death-defying stunts, Mission: Impossible – The Final Reckoning delivers pulse-pounding action even as its plot falters. From underwater silence to high-altitude madness, it's pure adrenaline powered by old-school movie magic — but is this really Ethan Hunt’s final mission?
The second film takes us on Peter's journey to be understood.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
As a horror buff, I was intrigued by people claiming 'The Sadness' was the most disturbing movie they've ever seen or to watch with caution. So, I finally put the internet to the test and watched it for myself... to varying results.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.