Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

March with the Devil poster

March with the Devil (2014)

MARCH WITH THE DEVIL is the true story of Dominiquie Vandenberg who became a martial arts champion at a very early age until a tragic accident took everything he loved and drove him into the French Foreign Legion Special Forces. Vandenberg signed on for a five-year stint and saw engagement in Africa and Bosnia. But his inner torment from his Legion days fueled his desire to become an advisor/soldier-for-hire.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


MARCH WITH THE DEVIL is the true story of Dominiquie Vandenberg who became a martial arts champion at a very early age until a tragic accident took everything he loved and drove him into the French Foreign Legion Special Forces. Vandenberg signed on for a five-year stint and saw engagement in Africa and Bosnia. But his inner torment from his Legion days fueled his desire to become an advisor/soldier-for-hire.

Rating:
Genre:Documentary
Directed By:Zalman King
Written By:Zalman King
In Theaters:1/1/2014
Box Office:

Runtime:74 minutes
Studio:

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso

"The Roses" (2025) Film Review-Marital dysfunction offers plenty of hubris AND humor this time around

Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.

Kirk Fernwood