Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

Akbar lives with his widowed mother in a small shanty hut. One day, his mother finds two young orphans, Ram and Laxman, and brings them home. Years later, Akbar, Ram and Laxman have grown up. While Ram has fallen in love with Radha, Laxman's sweetheart is Jenny, a pickpocket and petty thief. One day they come across a blind woman, and come to her assistance. They find out that she is their long-lost mother, who was blinded by a man named Ajit Singh, who also killed their father. Ram and Laxman decide to seek vengeance against Ajit Singh, but before they could do so, Akbar's mother and their mother are abducted, and it looks like Ajit is all set to send the rest of the family to their deaths.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
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