Whitest Season: Privilege Comes First in ‘Happiest Season’
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.

The little swift Manou grows up believing he's a seagull. Learning to fly he finds out he never will be. Shocked, he runs away from home. He meets birds of his own species and finds out who he really is. When both seagulls and swifts face a dangerous threat, Manou becomes the hero of the day.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
If you want to feel the rush, you have to take the risk.
The problem isn’t that it’s bad. It's good. But it fails to stand out from a crowd of similar films.
With so many Disney remakes out and about in the world and loosed upon Hollywood cinema, there is one Disney film that truly needs to be seen and witnessed on the big screen: Princess and the Frog.