Kristen Stewart And Pablo Larraín Give Princess Diana Her ‘Let It Go’ Moment In 'Spencer'
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.

Nazi hunters Serge and Beate Klarsfeld devoted twelve years of their lives to relentlessly tracking down Klaus Barbie, who had fled to Latin America under a false identity. La Traque looks back at their early exploits in Germany, through to the legal and media battles that led to the major trials in France. How was Klaus Barbie able to reinvent himself so easily and continue to wreak havoc in Bolivia with complete impunity in the 1970s? This is what this fictional account reveals, drawing its originality from the various points of view it adopts: that of the Klarsfelds, who had never before been the heroes of a fictional story, but also that of Klaus Barbie and the Bolivians, the new victims of this "exiled" barbarity. Between historical clarifications and revelations, this story forcefully reminds us that memory is not a given, but something that must be fought hard to achieve.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
Joel Coen has gone solo to create perhaps the greatest version of Shakespeare's 'Macbeth' since Shakespeare himself.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
'Midnight at the Paradise' premieres tomorrow at Toronto's Paradise Theatre! I had the pleasure to sit down with Vanessa Matsui to discuss the making of this film.