"Outerlands" Provides Community in Unexpected Places
Intergenerational friendships and community can be so powerful, and this was a great example.

Nazi hunters Serge and Beate Klarsfeld devoted twelve years of their lives to relentlessly tracking down Klaus Barbie, who had fled to Latin America under a false identity. La Traque looks back at their early exploits in Germany, through to the legal and media battles that led to the major trials in France. How was Klaus Barbie able to reinvent himself so easily and continue to wreak havoc in Bolivia with complete impunity in the 1970s? This is what this fictional account reveals, drawing its originality from the various points of view it adopts: that of the Klarsfelds, who had never before been the heroes of a fictional story, but also that of Klaus Barbie and the Bolivians, the new victims of this "exiled" barbarity. Between historical clarifications and revelations, this story forcefully reminds us that memory is not a given, but something that must be fought hard to achieve.
Intergenerational friendships and community can be so powerful, and this was a great example.
Villeneuve’s Dune is a masterpiece for its crafting process, but references to David Lynch's picture are sometimes too obvious.
Fjord, like its story, is not a conclusion, but a beginning.
The sequel following The Son of Bigfoot explores Adam's conflict of discovering his true identity as he tries to save a wildlife preserve.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
A wholesome love story that's perfect for fans of romance movies and animal lovers.