
Undercover cop Lok Hwa takes two years to become the trusted lieutenant of rising Hong Kong drug lord, Feng. The night of the big bust, Feng's flaming car crashes spectacularly into the sea; Feng is presumed dead. Hwa returns to the force and to June, his patient girl friend. Also, to save Feng's lover Yung from a life of crime, Hwa gives her his pager number and promises to be there for her. A year later, Feng reappears, asking Hwa's aid with one last task before he returns to the mainland forever. Feeling sentimental, Hwa agrees to help and finds himself set up to take the fall in a drug war. June is in danger, too, and death awaits as Yung realizes it's Hwa she loves.
He’s a nine-time Oscar host and a revered comedy legend. He’s an up-and-coming comedy star who was a voice in the biggest animated movie of all time. So what happens when these two are forced to work together?
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.