“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

An Army deserter, still a fugitive in Post-War Britain, wanders into a pawn-shop robbery and finds himself wanted for murder. He meets a war widow who helps him elude the police while he looks for the real criminals.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
This movie will always resonate with queer people, for as long as queer people exist.
Sam Levinson's latest film can't keep up with the excellence of its performances.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.