The Last of Us is Flipping the Script For Game Adaptations
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.

Twelve-year-old Malika’s entire life revolves around her mom Roza: she is her friend, her world, and her pillar. But when Roza decides to remarry, Malika understands that she will have to go to her father’s house, as the Islamic tradition dictates. Malika now faces the impossible dilemma between disrupting this new marriage and keeping the life she’s used to or sacrificing her own happiness for her mother’s.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
Frozen II is not quite direct to DVD Disney sequel level, but if it wasn’t for the spellbinding animation and budget, it certainly would be.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Critical Incident is worthy of a weekend binge, keeping you guessing right up until the end.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.