'Alice' Doesn't Live Here Anymore
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'

Twelve-year-old Malika’s entire life revolves around her mom Roza: she is her friend, her world, and her pillar. But when Roza decides to remarry, Malika understands that she will have to go to her father’s house, as the Islamic tradition dictates. Malika now faces the impossible dilemma between disrupting this new marriage and keeping the life she’s used to or sacrificing her own happiness for her mother’s.
'Alice' is a genre trifecta: one part revenge drama, one part historical account, one part throwback to Blaxploitation—kinda 'Django' meets 'Roots' meets 'Foxy Brown.'
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The horror franchise that had moviegoers watching behind their fingers but on the edge of their seats. The Conjuring quartet released its final installment this year, and it did not disappoint.
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
"65" (2023) is the latest Dino flick to try and answer "what else can we do with dinosaurs?"
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement