Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

The story follows Sasà, a 13-year-old boy living in the suburbs of Naples. He spends his days with friends, listening to rap music and dreaming of becoming a famous rapper to provide a better life for his young mother, Rusè. Their bond is close, but it's tested by jealousy, poverty, and harsh circumstances. When Sasà meets legendary Neapolitan rapper Yodi, his dream seems within reach. However, the harsh realities of the music industry and street life force him into drug trafficking to support his mother.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
In Tall Girl, Jodi learns to stand tall and find confidence within.
For those that are unaware, the trailer for the new Civil Rights movie Till has been out and it's absolutely amazing for all to see.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.