The behind-the-scenes documentary for Madonna's record-breaking 2008–2009 Sticky & Sweet Tour offers a fascinating glimpse into a massive, highly synchronized operation. The exclusive footage, initially released as a 30-minute feature on the official concert DVD, showcases the intense preparation, wardrobe changes, and strict regimen required to pull off one of the highest-grossing solo music tours in history.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Lili Reinhart and Tom Bateman starred in the new Amazon Prime Video film, The Love Hypothesis, based off of the popular romance novel written by Ali Hazelwood. For those who have not read the book but love a good romance story, this film will easily grab your attention and your heart. And for those who are fans of the novel, it is safe to say they were pleased by this adaptation. Because even if you are bad at science, it is easy to see the chemistry between these two characters.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This coming-of-age Mexican movie is about a group of school children who fulfill their dreams.
