In French Guiana, in the middle of the carnival period, Emmanuel and Léon, two young, mixed-race brothers, attend their grandmother's funeral. Confronted by the reminiscences of the past, the memories of their childhood resurface and with them deeply buried secrets.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.
In 1971, when discussions about how to integrate their school system break down, the community of Durham, North Carolina agrees to bring in Bill Riddick(Babou Ceesay) to conduct a series of summits(charrettes) to help them move forward with desegregation.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
