The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Jacqueline falls under the spell of Philippe, who has come to her home to sell her a vacuum cleaner. She welcomes him into her home and gives him a boost. An early-retired prostitute, she owns a small sex shop which, until now, had been poorly run by her ex-husband Jean. To keep Philippe close to her, she entrusts him with its management.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Trigger Warning with Killer Mike, a part of Netflix's Black Lives Matter Collection, features different social experiments showcasing the larger state of race relations in our society.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.