Whitest Season: Privilege Comes First in ‘Happiest Season’
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.

When a young woman, Bharani Verma, is found dead under mysterious circumstances, the police quickly arrest Kartik Saxena, making him the prime suspect in a seemingly open-and-shut murder case. But as the courtroom battle begins, every testimony uncovers new questions instead of answers. Hidden relationships, conflicting statements, and buried secrets gradually transform a simple murder trial into a gripping mystery where nothing is as it appears. Beyond the suspense, the film also explores a thought-provoking question: Have marriage and legal battles become a silent punishment for some innocent men, or is the truth far more complex than it seems? With every hearing, the truth becomes more elusive, and just when the verdict seems certain, an unexpected twist changes the entire direction of the case. A taut courtroom suspense thriller that keeps the audience guessing until the very last moment.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
An Indonesian film that brings strong representation of Asian descent in this heart-warming tale of a woman and her dog.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
Adrian Chiarella’s Leviticus is a beautiful, poignant, enraging, gut-wrenching, and heartbreaking film about the trauma and harm conversion therapy inflicts on young queer people. Even though its classification as horror holds, the emotional bond between the two main characters, Naim and Ryan, elevates the story into a realistic romantic drama on par with Eternal Sunshine of the Spotless Mind.
Disney has hopefully learned some lessons since 1994. Are those lessons reflected in the 2019 remake of "The Lion King?"