Love in the River 

Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.

This action thriller is made with the hope that the black youth of America will feel empowered, and realize the significance of their heritage.

The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets

White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.

Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.

In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.