Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

Ryoko becomes a reporter for a major newspaper after receiving a master's degree from Tokyo University's graduate program. While concealing her adult video acting experience during her university days, she spends her evenings frequenting "host clubs" with her friend. At the same time, she is in a stimulating relationship with boyfriend Rei. Ryoko seeks emotional balance, and despite feeling the contradiction between her day and night lifestyle, hopes to gain happiness in her life.
Not every silence is empty. Some are filled with things too heavy for words.
The Flounders are back in this sequel that takes place one year after the events of 'Malibu Rescue'.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
‘Barbie’ is an entertaining, meaningful piece of filmmaking with a heartfelt message.
A legacy based on the comic strip for old and new fans of Peanuts.