'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.


Love at First Sight, the Netflix adaptation of the book The Statistical Probability of Love at First Site by Jennifer E. Smith, is an adorable movie perfect for curling up and having a cozy night in. Featuring Haley Lu Richardson as Hadley Sullivan and Ben Hardy as Oliver Jones, we follow along as our two protagonists explore their newfound feelings for each other and embark on their new beginnings.
We are first introduced to Hadley and Oliver when they meet at an airport after they have missed their flight to London, England. Oliver, on his way to his mother’s wake and Hadley who is attending her father’s wedding, first lock eyes and instantly click. They talk, flirt, grab food and race to the next flight out. As fate would have it, they end up sitting next to each other and start to realize how big their feelings are starting to grow before they land and are separated with no way to get into contact.
Hadley finds herself at her father’s wedding preparing herself for an unbearable evening. After the ceremony concludes, Hadley waits for the reception to begin when she hears other guests talk about the wake of Oliver's mother, Tessa Jones. Following her heart, she rushes to find Oliver and finds herself conversing with a very much alive Tessa Jones, who explains that this celebration of life is for her to enjoy her friends and family before she dies, not after.
Finally finding her way to Oliver, the spark they felt before is as bright and fiery as ever. But, a closed-off, emotionally distraught Oliver says things he can’t take back and has to watch as Hadley walks away. Regretting it immediately, he has no other choice but to accept that his beautiful Hadley is gone, that is until a stranger brings him Hadley’s bag. Gathering his family, they drive across the city to find her. When Oliver reaches Hadley, he apologizes, speaks his honest truth, and they finally share their happy-ever-after ending, proving love at first sight truly does exist. But, for our dear true loves, it is only the beginning.
While Love at First Sight is predictable and has every young adult romance cliche, it is a cute little movie. But something that makes it unique is our narrator, Jameela Jamil. We see her as the flight attendant, a person from the airport, the stranger who gives Oliver Hadley’s bag, and more. But she is also playing the role of fate. Inconspicuously encouraging our protagonists to chase after one another and letting them see what the universe has planned, Jameela Jamil plays a pivotal role in shaping our story. This unique narrative design lets us see, quite literally, our third-person omniscient narrator in a completely new way and allows them to play a dynamic character in an otherwise two-dimensional role.

Hadley and Oliver begin falling in love on a flight from New York to London, but when they lose each other at customs, can they defy all odds to reunite?
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
Naked Gun: The New Police Squad Team delivers exactly what fans want: relentless, expertly crafted chaos that honors the original while cranking everything up to eleven. The gags fire at machine-gun pace—sight jokes layered with wordplay and physical comedy so outrageous it borders on art. It's gleefully self-aware without being cynical, silly without being stupid, and maintains that perfect ZAZ-style balance of treating absolute absurdity with complete seriousness. The film knows exactly what it is: a comedy missile designed for maximum laughs, and it hits its target with surgical precision. Pure, unhinged entertainment that proves spoof comedy still has plenty of life left in it.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.