A Simple Mix-up has Barbaric Results in 'Barbarian'
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.

Thami has recently lost his job at a top firm following accusations of fraudulent activities. This is the last straw for his wife Noluthando who, fearing a drop in her standard of living, abandons her marriage, taking their daughter Lerato with her. Thami is desperate to maintain a relationship with his daughter, while Noluthando does everything in her power to ensure that Thami is denied access to Lerato. After exhausting all known avenues, and desperate to be reunited with his daughter, Thami kidnaps Lerato from school, intending to flee Johannesburg for Kimberley by bus. This is an ill-conceived move which angers Noluthando and puts him on a collision course with the law. Thami’s actions put his life, that of Lerato and their fellow passengers in danger and leads to a high-stakes hostage situation on the bus. Then a shot rings out…
'Barbarian' is horror infused with something ridiculous that makes the whole thing entertaining.
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
Throughout Brendan Fraser’s career, he has played a plethora of unique, layered characters who explore the importance of not being afraid to display your emotions, something that is often seen to not be a masculine trait. This idea of regulating emotion and what traits men are able to possess creates a toxic atmosphere for men who are often told they should not cry or represent their emotions in any physical way. These characters represent that men can be joyful, emotionally conscious, and sensitive, while also representing their masculine identity instead of painting those qualities as fighting against their masculinity.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.
Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.