
The film documents the first exhibition of Chicano artists held at the Los Angles County Museum of Art in 1974, and the exhibition "Murals of Aztlan: The Street Painters of East Los Angeles" at the Craft and Folk Art Museum of Los Angeles in 1981. The documentary captures the group's debates over art, politics and community, while it also reveals their experimentation with spray can techniques, found objects, and installation art as well as their self-conscious efforts to develop Chicano icons.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
A family drama is woven with quiet yet powerful forces of words and nature.
This groundbreaking summer blockbuster proves that diversity enhances the action genre.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.