Lindsay Lohan's Comeback in 'Falling for Christmas'
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.

Kato is looking for a husband for her sisters so that she can marry. Mari helps her as a counsellor, but all their attempts end in scandal. Kato is left to focus on his own happiness. She is in love with Baron Koltay, but he also wants to win the hand of the actress Palma Nusi. Kató pretends to be Koltay's sister and wins Nusi's trust. The Baron soon forgets Nusi and falls in love with Kato. A tangle of lies and deceit finally leads Koltay and Kato to marriage.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.
Ranking The Purge films gives us one forgettable film, two mid-tier movies, and two horror masterpieces. This list can help you decide which films to watch first!
Clocking in at about four hours, Stranger Things season 4 volume 2 is the length of a double feature. Despite the length and the hype, the finale still falls short of expectations thanks to poor pacing, poor character choices, and poor diverse storytelling.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch