Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Bruno, a young prostitute on the streets of Mexico city, spends his free time yearning for his straight friend Umberto. When Umberto rejects him, Bruno reacts with his own violent and misguided actions...
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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