Lindsay Lohan's Comeback in 'Falling for Christmas'
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.

Miyazaki, Shibata, Sueda and Chen work in humdrum jobs at a factory on Awaji Island. Each day leaves them a little older, with nothing of significance disturbing the dull routine of their lives - until Sueda discovers that the company president is evading tax on an industrial scale. An escape drama from depression. A crime movie that depicts a new daily life that awaits beyond that line.
Lindsay Lohan makes a big film comeback in this amazing holiday comedy of the year.
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
Despite it being one of the most visually impressive action movies I’ve ever seen, everything else fell short of my expectations.
Emily Henry’s adaptation reaches romance movie standards, but not romance reader standards.