How The Suicide Squad's Polka-Dot Man Helped My Anxiety
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.

Tetsuko (Eiko Yanami), a high school student, one day, forces Tsuneo, (Kei Wakakura), the brightest boy in her school, to make love to her after school is out and they are caught by the old school janitor. Tsuneo's mother, orders Tetsuko to pay for what she did to her son but Tetsuko blackmails her instead, saying that she is ready to inform a news company of what has happened to Tsuneo and receives one million yen hush money. Expelled from school, she comes to Tokyo, intending to take a round-the-world trip. But Sankichi (Yoshihiko Aoyama), a jack-of-all-trades, cheats her. So, she makes up her mind to catch him and get back her money.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
This horror, action, and fantasy movie released on Disney+ has a symbolic aspect.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.