Sadanand Borse lives a middle-classed lifestyle along with his pregnant wife, Urmila, in a small town in India. While returning home from work on his motorbike, he accidentally knocks down a deceased child in a funeral procession. From thence on, Sadanand Borse and Urmila will experience terror and fear as they will soon be stalked by two goons, Srirang and Govind, who want to avenge the deceased child's humiliation.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.
Eddington attempts to capture how media is intertwined with the uncomfortable present.
A film loosely based on the fairy tale Hansel and Gretel, with major twists to the original story.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?
