"Kemo gedolim" is a collection of well known Israeli, children songs sang by Ariḳ Ainshṭain and others. In between the songs embedded short skits starring Moni Moshonov and Tsevi Shisel , who embody two porters hauling a giant crate up a winding staircase and unexpectedly run into Ariḳ, a group of kids, jugglers, clowns and storytellers emerging from the crate. The two, try to do their job faithfully but occasionally they also try to sing, dance and play, which creates a variety of funny moments.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
This Nickelodeon live-action TV series features strong Black representation.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.
There were too many irrelevant parts that could have been shortened, and too many characters that didn't advance the plot. Either way, some things didn't add up. This was just another played out plot with little, if any, originality in it. By the end of the film, I wasn't happy that she finally got her freedom, I was happy that it was finally over.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
Indie director, Niki Caro (known for 'Whale Rider') directs the live-action 'Mulan' and sets another example of strong females fighting against gender inequality.
