Skater Girl – Sisterhood, Rebelliousness, Social Castes, and Skateboarding
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.

Using Goethe's Theory of Colors (Zur Farbenlehre) as point of departure, Light Darkness and Colors takes us on a fascinating journey through the universe of colors. In 1704, Sir Isaac Newton published Light and Refraction, his study of the interactions between sunlight and prisms. Newton was, as a good scientist, intent on achieving objectivity, which meant studying sunlight in isolation. He thought colors were contained solely in light, and found the spectrum he was looking for. When he reproduced this experiment, Goethe found another, hidden set of colors missed by Newton. Goethe found the hidden colors in the boundaries between light and darkness. He felt, as an artist, that one could not talk about light without including darkness. Calling it 'the light-darkness polarity', Goethe made this new scientific discovery using artistic methods in conjunction with science.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
The June episode of the Incluvie Movie Highlights provides 3 new and buzzworthy films presenting different types of love: Good Luck to You, Leo Grande with intimacy, Father of the Bride with familial love, and this month's feature - Fire Island, with intimate and romantic love. Movie Critic Melanie Ojwang joins us to discuss Emergency.
Yeah, sure, the movie’s about Carnage. But it’s really about love. A love that defies all odds: the love between a man and his man-eating alien symbiote.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.