“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Kam Tin is home to people of many ethnicities, like a miniature United Nations. Chris moves there from the city with his wife Erica and their daughter, Wing Yan. As they adjust to their new life, they must also learn how to get along with neighbors of different ethnicities. Chris starts a business with an Indian partner, though Erica has little faith in it. Wing Yan befriends an African asylum seeker, sparking gossip. Haunted by unpleasant past experiences, Erica carries racial stereotypes, growing increasingly anxious and unsettled as tensions rise…This film is funded by the Hong Kong Arts Development Council.
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
A dynamic journey of self-acceptance and identity.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.
Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes
"King Richard" paints a nuanced portrait of a Black father trying to ensure his daughters’ success in a racist, misogynistic world. Yet, Richard and his kids overcome that fear and adversity to succeed.
Korean Dramas deserve your attention and not just the ones on Netflix.