The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Kuan Ta-yung is expected to take over the family business—and settle down with a proper bride. But his heart belongs to Lien Lien, a kind-hearted woman working at an orphanage. Amid arranged dates, mistaken identities, and family pressures, love finds a way. When fate brings Lien Lien into Ta-yung’s company as his secretary, old sparks reignite, but rivals and complications arise. Through perseverance, the young couples overcome obstacles, unite their families, and turn their energy toward running the Pao Pei Orphanage, giving back to the community.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
This film is based off of The Diary of a Young Girl, which was written during the Holocaust period.
I was able to watch the gleefully mesmerizing Disney remake that was Robert Zemeckis’ Pinocchio. I was enthralled by Zemeckis’ iteration.
'Airplane Mode' is a young adult movie that is about a woman who learns to step away from her smartphone, and from social media.