Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Over a four-year period, Martine Syms gathered 180 video clips—each 30 seconds long—from sources such as YouTube, talk shows, Vine, and her own personal video diaries. They focus largely on media images and everyday gestures of Blackness that circulate across the electronic devices that shape contemporary life, with each clip functioning as a canto or stanza in Lessons I-CLXXX. The clips echo the format of short advertisements, and suggest that the private moments of one individual are inscribed within a larger collective and commercial culture. They are woven together and sequenced randomly to create an open-ended poetic collage inspired by and participating in the Black radical tradition. Syms’s earliest lessons draw on the poet Kevin Young’s encyclopedic work of literary and cultural criticism, The Grey Album: On the Blackness of Blackness (2012), in which the traditions, or “lessons,” of Black life are understood as the center of American culture.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.
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The 'Shaft' remake fails to capture Blaxpoitation's rebellious spirit.
It is up to the community to decide if this film is a force for enlightenment or not.
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