Disney’s "Soul": An Exploration Of Identity
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.

After the trial concerning the inheritance of the family farm, which pits him against his brother, Luc finally fulfills his desire to leave Paris and his job as an engineer to live out his childhood dream: to start a snail farm. Carole, his partner and part-time yoga teacher, enthusiastically welcomes this change. So they leave the city for the countryside. Thrilled to embark on this new adventure, the couple moves into the part of the farmhouse that belongs to Luc, paying little attention to the adjoining part inherited by his brother!
Soul takes intangible concepts like self and personality and makes them completely palpable and simple to digest.
Amanda Riley gets the opportunity to travel to Vietnam for the experience of a lifetime.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
A throwback to the last months of the 20th century in this comedy film.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.