"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Les clients d'Avrenos
Istambul, 1967. Two women meet at Avrenos, a tavern in the old city. Nouchi, the brunette, is mourning the death of Bernard de Jonsac, an employee of the French Embassy who recently died. It is Lélia, the blonde, who asked her to come. She wants to understand the ties that bound them both to Jonsac, to understand the strange couple that this desperate dandy formed with Nouchi, the ex-Bulgarian bar girl. Lélia, the middle-class woman from Istanbul, wants to understand at last, ten years after the tragedy that has left her confined to a wheelchair for life...
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Istambul, 1967. Two women meet at Avrenos, a tavern in the old city. Nouchi, the brunette, is mourning the death of Bernard de Jonsac, an employee of the French Embassy who recently died. It is Lélia, the blonde, who asked her to come. She wants to understand the ties that bound them both to Jonsac, to understand the strange couple that this desperate dandy formed with Nouchi, the ex-Bulgarian bar girl. Lélia, the middle-class woman from Istanbul, wants to understand at last, ten years after the tragedy that has left her confined to a wheelchair for life...
Rating:
Genre:Drama
Written By:Emmanuel Carrère, Philippe Venault
In Theaters:
Box Office:
Runtime:100 minutes
Studio:Les Films du Sabre, La Sept-Arte
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