Living People in "It Was Just an Accident"
It doesn’t offer an absolute answer for the dialectical ethical questions that emerged in search of justice but portrays the characters as living people beyond the identities of victims.
Les clients d'Avrenos
Istambul, 1967. Two women meet at Avrenos, a tavern in the old city. Nouchi, the brunette, is mourning the death of Bernard de Jonsac, an employee of the French Embassy who recently died. It is Lélia, the blonde, who asked her to come. She wants to understand the ties that bound them both to Jonsac, to understand the strange couple that this desperate dandy formed with Nouchi, the ex-Bulgarian bar girl. Lélia, the middle-class woman from Istanbul, wants to understand at last, ten years after the tragedy that has left her confined to a wheelchair for life...
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Istambul, 1967. Two women meet at Avrenos, a tavern in the old city. Nouchi, the brunette, is mourning the death of Bernard de Jonsac, an employee of the French Embassy who recently died. It is Lélia, the blonde, who asked her to come. She wants to understand the ties that bound them both to Jonsac, to understand the strange couple that this desperate dandy formed with Nouchi, the ex-Bulgarian bar girl. Lélia, the middle-class woman from Istanbul, wants to understand at last, ten years after the tragedy that has left her confined to a wheelchair for life...
Rating:
Genre:Drama
Written By:Emmanuel Carrère, Philippe Venault
In Theaters:
Box Office:
Runtime:100 minutes
Studio:Les Films du Sabre, La Sept-Arte
Articles You May Like
"Project Hail Mary" Didn’t Take Off
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Women can have it all! Right?! A review of HBOMax’s “Expecting Amy”
I didn’t love Expecting Amy, the mini-series following Amy Schumer’s pregnancy, but it brought up a lot of great unspoken side-effects of working and growing a human in America.
'How Power Looks' — MiamisFF Review
Praising Black representation and condemning the power structures that suppress it, a mother delivers an impassioned speech to her distant son.
Sand Storm: A Look Into Bedouin Culture and the Pressure Women Feel to Keep Tradition Alive
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
Weapons: Smartly Entertaining, Deeply Disturbing
At 2:17 a.m., every child in a third-grade class wakes up, leaves their home, and disappears into the darkness—except one. The next day, teacher Justine Gandy discovers that Alex Lily is the only student left, while the rest have vanished without a trace. Did Justine have something to do with it, or is a far more sinister force stalking the town, targeting not just children, but anyone in its path?