Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

After separating from his wife, Leonard Parker quit the spy business and became a restaurateur. His wife refuses to speak with him, and his daughter, who changes her career more often than her clothes, has begun dating a man old enough to be Leonard's father! On top of it all, the government has asked him to come back and save the world again.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
A high-octane spy thriller where Hrithik Roshan and Jr NTR’s clash brings explosive action, stylish direction, and emotional depth. Here’s my take on what makes it a must-watch in the YRF Spy Universe.
'Selena: The Series' loses sight of the story's heart: Selena herself.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.