The magnificent city of Ys in Brittany is protected from flooding by a dike, overseen by the royal family. To seal peace with the city’s former adversary, the King of Ys grants him the hand of his eldest daughter, Margared. But she breaks her vows at the altar, sparking the outbreak of a new war. Devastated to learn that the man she wishes to marry is promised to her own sister, Margared prepares to betray the secrets of the city of Ys to the enemy.
Ready or Not takes a terrifying situation and has a fun time with horror components. The film melds horror and comedy, creating a cinematic hybrid that flows like running water. Instead of being a film that embraces gut-wrenching sensibilities, it perfectly taps into the energetic nature of hide and seek.
Friendships are tested when two girls have a crush on the popular boy at school.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
In less than 30 minutes, Proudfoot guides the viewer through a narrative that touches on American history, mind-health issues, race, and gender politics
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
