"East Side Sushi"
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.

The French intelligence service want to use a double agent to eliminate a terrorist groupe. To do this, the captain Duroc will give to the traitor a car filled with explosives. But the whole thing is a double trap. One of the officer of the Service, Leroy, has plan a dreadful blow to discredit his new director. He had chosen Duroc because is not supposed to be an intelligent agent.
When Juana tries real sushi for the first time, she is immediatley smitten by it and discovers a passion she never knew she had.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.
Based on the legendary creature, the Chupacabra, this live-action movie brings an adventure to all.
You can’t talk to my grandpa about The Sopranos. You can’t talk to him about The Godfather either. Merely by bringing up the subject, you’d be treated to a lecture on how movies and TV want you to believe that all Italians are criminals and mobsters. He won’t watch any of it, in protest.