Nona Brooks, former member of a stranded theatrical troupe, earns a temporary living singing in a café in Duakwa, British Rhodesia, Africa. The café owner is secretly in league with two foreign agents with a goal of making the natives restless. American explorer Larry Mason leaves for the jungle with his servant, Jeff and a safari. Nona escapes the café into the jungle but is followed by the agents as, unknowing to her, she is carrying a report of the agent's activities. She joins the safari just as all hands are captured by a tribe of natives
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
I first saw Dear Evan Hansen on the Broadway stage. Apparently, I was so blown away by the magic of theater that I didn’t pick up on the questionable dynamics. The story's clumsy handling in the movie brought those issues to light.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
If Miguel Alexandre were trying to make a revenge story seem dull without using all the effective formulas that work great in this catchy genre, he could not have accomplished his purpose much better than he unintentionally has in Black Island.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
A young woman finds herself trapped in a crossfire of awkwardness during a nightmarish dinner party with her boyfriend's dysfunctional family.
