In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

Suburbia can be such a quiet, sedate, and tranquil place. Some might say boring. But in this restrictive enclave exists a hidden world of dark and perverted fantasies, deviant desires, and primal urges rule the bedroom of these safe and protected communities, and when one enterprising mom discovers the untapped market of horny and unsatisfied married couples, she helps introduce the world to the untapped libidos of the Latex Moms.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
It’s been five months since Wayward premiered on Netflix and it still has some of us in a choke-hold.
One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.
Like most young people, Leviticus is imperfect. But I love it anyways.