"The Woman in Cabin 10" (2025) Should Have Stayed Faithful to the Book
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.

Two girls wait for a taxi home on the empty streets of London. Lee needs to talk but Sal won’t listen. The taxi never comes, dawn breaks and they finally talk about the thing that matters. Lara is a film about grief, friendship and the rocky path towards adulthood.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
We can criticize depictions from old media, but they weren’t simply “good for their time”. They were fighting and struggling in a world we can’t imagine.
Wacky antics ensue when a 100-year-old Jewish man wakes up from a pickled hibernation in the modern world.