Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Forty years after the abolition of the death penalty in France, voted on September 18, 1981, the guillotine remains in the collective imagination as the instrument of the death sentence. This machine, developed during the Revolution to render justice more equal, was presented as progress. Over time, opinion has been divided on the subject of the death penalty, the guillotine becoming the object of man's cruelty, a remnant of an archaic way of dispensing justice and fuelling the many debates around the death penalty and its abolition.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
As a whole, Sightless pushed boundaries between illusion and reality. It made viewers question if there really is a difference. Ellen was strong, brave, and even compassionate given her situation. She was a force to be reckoned with.