What if the World Trade Center attacks could have been thwarted? This is one of the theories put forward by Bill Binney, former technical director of the US National Security Agency (NSA), who resigned after 9/11. Long before Edward Snowden, he denounced the intelligence services' inadequate methods in the fight against terrorism, particularly the massive collection of data. Drowned in a continuous flow of information, analysts are unable to exploit the data quickly. In the 1990s, a program called "ThinThread," implemented by the NSA, was supposed to allow targeted searches by focusing solely on useful metadata for tracing the communications of suspicious individuals. But a few weeks before the 9/11 attack, the project was abandoned in favor of private financial interests. In the United States, the surveillance market is thus 80% owned by private companies.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
The second film takes us on Peter's journey to be understood.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
The concept of male fragility is explored (interestingly, by a male director) in The Sun Never Sets
Overall, Altered Carbon: Resleeved is pretty “meh.” It’s cool and all that it takes a different approach from the TV show to make it animated rather than live action, but it doesn’t help that the animation looks like something from a video game.
