'The Baby-Sitters Club' (2020)
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.

Giancarlo Del Monaco’s atmospheric production brings to colorful life a 19th-century mining camp during the California Gold Rush. At the center of the action is the good-hearted bar owner Minnie, sung by Barbara Daniels, who takes a motherly interest in the miners. Plácido Domingo is Dick Johnson, also known as the bandit Ramerrez, who falls in love with Minnie. Sherrill Milnes sings Jack Rance, the sheriff who is not only determined to capture Ramerrez but also wants Minnie for himself. Bloodshed, a crooked poker game, a snowstorm, and a near lynching ensue before Minnie and her bandit-turned-lover can ride off to start a new life. Leonard Slatkin conducts one of Puccini’s most colorful scores.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
It’s fun, it’s energetic, but it’s also understated and vicarial. Zola is a modern black fairytale and future of black movies.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
Documented human suffering is never easy to view or read about and is understandably triggering for many people, but it can be educational, and education is a key to change. An overwhelming amount queer people worldwide (and in my own country) have it far worse than I could imagine, and documentaries such as Welcome to Chechnya bring issues to light that certain groups of people would never see.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
White audiences saw Peola’s mixed-race passing as a Black woman’s struggle to be white. Black audiences saw it as the rebellion of a Black woman trying to gain privileges only given to white people.