San Junipero: Queer Heaven on Earth
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.

Steve Fagin’s La Cura (2024) is comprised of episodes – of tableaux. These jewel-like pieces do not add up to a plot. Even when something recurs – like the studio set that stands in for a nightclub, proudly stripped bare under the final credits – or a performer reappears in a different situation, it is not for the purposes of narrative linkage. The connections between tableaux come about in a different way: through an accumulated interweaving, threaded on music.
Battles will come and go and queer people do die for their identity and fights for rights, but that doesn’t mean the gays don’t deserve their happy endings in stories.
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