Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A patient is released from a mental hospital to help the police find a student who disappeared a few days ago.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
For viewers who love eating burgers, shakes and fries on the go along with a tasty side of nostalgia.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.