Kyuss - Bizarre Festival, Weeze, Germany 

An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.

With the start of the new season we're excited for all of the April new movie releases, some of which our writers here will cover in individual reviews throughout the month.

"Spider-Man: No Way Home" isn’t just a movie; it’s an experience. It's one of the best superhero movies thanks to the amazing writing, the fantastic performances from the actors, and a healthy helping of fan service.

Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.

Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.