
Knurri, the little rabbit, and his family want to sell eggs at the market. Knurri takes his sweet time and discovers too late that he lost some eggs to the hungry badger. Nobody wants to buy eggs from the rabbit family. Only when Knurri suggests to color the eggs does business takes off and everybody is happy.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Miles Morales learns to be his own hero as he takes on the well loved mantle of Spider-Man in a multiverse of Spider-People.
Hoppers is a fun ride with a deep message underneath. In true Pixar fashion, Hoppers explores the complexity of emotions and learning to be still in a world that demands fast progress. Through the main character Mabel, we are reminded what it is like to let ourselves feel big emotions. But also how not to be controlled by them.
This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.
This movie will always resonate with queer people, for as long as queer people exist.