The cruel King Ottokar of Bohemia, spoiled by fortune and unpredictable, is dead. Now, with the modest Rudolf of Habsburg, peace has finally returned to Austria, for he replaces tyrannical arbitrariness with God-fearing clemency—and the way is clear for a story that lasted 700 years and bears the title: "The Habsburgs in Austria." With this view of Franz Grillparzer's play, many productions have been staged since the premiere of "King Ottokar's Fortune and End" – Rudolf of Habsburg as the gatekeeper to the dawn of a new, better era. It became clear what a great projection screen Grillparzer's play offered. It should really be called "The Habsburgs' rise to power as a development toward the good, the just, the orderly." But it is called "King Ottokar's Fortune and End," and that is what it is about—the fortune and end of a human being and how the one is sometimes directly connected to the other.
Peter Schönhofer
Director
Tobias Moretti
Primislaus Ottokar, König von Böhmen
Elisabeth Orth
Margarethe von Österreich
Karl Merkatz
Benesch von Diedicz
Nicholas Ofczarek
Zawisch von Rosenberg
Bibiana Beglau
Kunigunde von Massovien
Wolfgang Gasser
Ottokar von Hornek
Johannes Krisch
Milota von Rosenberg
Sabine Haupt
Berta, Beneschs Tochter
Michael Maertens
Rudolf von Habsburg
Even now, the well-established Snyder has yet to learn this as he continues to allow misguided decisions to convince him that his projects hold the same kind of intelligent and emotional weight. Army of the Dead is a tonal mess, one that never decides what it’s trying to be, and, for all we know, doesn’t want to decide.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
Dashing in December follows the tried and true outline of a traditional holiday romance, with a less traditional middle-aged gay couple as the film's romantic focus.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
Women have always been integral to science fiction, and these amazing women prove why.