
Depicts a continuation of the "Battle of Mayang", an all-out war against the neighboring country Zhao that Shin and Wang Ki fought in in the previous work "Flame of Fate".
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
For those tranquil houses with white fences, what is happening behind every closed door?