"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Harish lives happily with his sister Geeta and his father Radhe Mohan. Radhe Mohan is the titular "khazanchi" (treasurer) at the Northern India Bank. Harish and Usha fall in love with each other. However, they face obstacles in their love life due to Usha's stepmother and Harish's father's death.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
The live-action remake brings adventure and shows viewers why representation is important in a Disney Princess movie.
"Ladies First" has a fundamental misunderstanding of what's feminine because of the patriarchy and what women do because they genuinely enjoy it.
The 'Black Adam' story is a blander copy of 'The Mummy', 'Moon Knight', and other Egyptian films made by Hollywood, taking place in the fictional Middle Eastern Kahndaq.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
The Invite is witty, dramatic, funny, and probably the best comedy released this year so far.