"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

A detective comedy about ex-cashiers who - except for one - have improved and lead a proper and peaceful life and mostly desperately resist the slightest reminder of their past. However, one of them, Josef Fiala, formerly known as Procházka, is one day asked to open a safe in the Sitex factory that has been slammed open with keys inside by careless employees. The operation goes well, but in time Fiala finds himself suspected of theft...
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
I was able to sit down and talk with the director of the short film Dog Lover Anne-Sophie Bine as she discussed and how she came to be in film.
Telling a story about the French and Indian Wars from the perspective of the British prioritizes the perspective of the colonizers.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
David Fincher is back in his playpen, with a dark and chilling thriller.
The idea of Rosemary's baby but with lesbian partners drew me in, and I was anticipating what the film had in store with its reimagining. Unfortunately, it all felt a little too vague to leave an impact.