EO, More Than Just a Lost Donkey
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.

This story is about a fisherman named Cik Gerhana, who is also a younger brother of Cik Purnama who falls in love with a girl he met in a festival ceremonial in Kampong Pisang. At the same time, a mystery lingers around Kampong Pisang on the appearance of Hantu Kum Kum that targeting a newborn baby. The situation gets even more complicated when a spirit of a former Mak Yong performer by the name Cik Mek died young and is seeking to avenge her death in Kampong Pisang.
The human experience is described through the eyes of a marginalized outsider, neither judgmental nor invested, just an observant donkey.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
A dynamic journey of self-acceptance and identity.
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.